I Bought a DJI Spark

Thanks to a strange sale at Target (Green Monday? I didn't know that was a thing), I picked up a DJI Spark drone about a week before Christmas. I couldn't help it - I've wanted a drone for a while and had been seriously looking at the Mavic but couldn't justify the cost. The Spark was close enough to a refurbished Mavic that it didn't make sense either, until the sale.

I've already crashed it several times, but it has help up nicely. Most of my crashes were with the cell phone controls when I first got it, but since then I've gotten the controller (perfect Christmas gift from Megan), making it easier to avoid obstacles. I also added a set of prop guards, and at low speeds they provide a lot of resilience, as well as added safety.

So I made a video, comprised of clips I recorded the first two weeks or so that I had it. It's a little longer than usual but I really liked this track, so I just stuffed everything I could from my first few flights in.

I can't wait to use it in more places, I'm starting to get the hang of planning cinematic shots before I take off - with a battery life of barely 15 minutes it's important to know what I want to do ahead of time. I'm also looking forward to seeing how the quality of my footage improves as I become a better pilot. Plus, I need an excuse to get the Mavic later on.

So I sold off my Panasonic G7 and got a G85 instead...

Although I didn't slam it too badly in my official Panasonic G7 review, there was something about it that wasn't a good fit for me. I did have some trouble with a few soft shots due to shutter shock, and the lack of in-body stabilization was a bigger deal to me than I realized.

So I sold it and replaced it with the G85. The G85 has very similar specifications, sharing a similar sized body, the same 16 megapixel 4/3 sensor, and control locations. However, it's astounding how much different the camera itself feels - much more solid and refined. Controls like the AFS/AFC/MF switch are much stronger feeling and less finicky, and give me the impression it will last longer. Weather sealing is a welcome addition, and it is paired with a similarly sealed 12-60mm kit lens which offers both better stabilization and more reach than the 14-42mm in the G7's kit. It also has an in-body sensor stabilization feature that interacts with the 2-axis optical stabilizer in some Panasonic lenses to offer a pretty hefty advantage in video stability.

 I really put the weather sealing to the test at Niagra Falls "hurricane deck."

I really put the weather sealing to the test at Niagra Falls "hurricane deck."

For stills, the new shutter mechanism is much quieter and has less vibration - I haven't noticed any of the shutter-shock blur like I did on some images from my G7. The new 12-60mm kit lens also seems sharper and cleaner at the same focal lengths as the old 14-42 lens I had, and that extra reach on either end is very useful. Of course, this body is compatible with my other micro 4/3 lenses, and makes for a great little kit when paired with the 17mm 1.8 or 25mm 1.8 Olympus lenses.

All in all, a solid upgrade to the G7, though for a budget shooter who doesn't necessarily need the weather sealing, larger kit lens, or other minor features it may be worth waiting a generation - I'd anticipate the G85's successor to have the 20 megapixel sensor and a number of other features trickled down from the superb GH5.

Sigma 24-70 f/2.8 EX DG vs Tokina 28-80 f/2.8 ATX Pro

I put together a quick comparison of these reasonably priced alternatives to modern standard f/2.8 aperture zooms. I've had the Sigma for a long time, ever since switching to Nikon back in 2012. I've really gotten great performance out of it, but occasionally look at close crops and wonder if I could get better sharpness and contrast. I've gone through a number of alternatives, and none have bested my original Sigma, so I'm still using it. In fact, it is my most used lens, and according to my lightroom smart collections I've taken almost 7,000 photos with it. The next nearest lens, unsurprisingly, the Nikon 70-200mm VR2 with around 4,800, and behind that the Olympus 25mm f/1.8 with around 2,000.

I've compared this particular lens with a Tamron 28-105 (far worse), another Sigma 24-70 EX non-HSM (this one was newer but much softer at 70mm). I also had a Tamron 28-75 2.8, but in Canon mount so I don't have any direct comparison images. I've also done some digging through the internet archives, and have read that this Sigma performs similarly or better than the Canon 24-70mm f/2.8L (original version), which is high praise. It also performs better than the Sigma 24-70 HSM, especially at the long end. However, there is another easy to find review comparing the Sigma to the Tokina using photos of a newspaper page that points to the Tokina being much better. This is definitely not the case after my testing though, and I think that the testing performed on such an old body may have been more of an issue of phase detect AF needing calibration with their copy of the Sigma lens (at the time, AF Microadjustment was not readily available). It's worth noting that the Tokina has incredible construction quality - it's very tightly assembled, the AF/MF clutch mechanism, similar to the Sigma's, is smoother and better dampened, and the felt-lined hood is deeper. The Tokina also does not extend when zooming, and it's a little thinner and longer which personally I think looks nicer and probably makes it a little more resilient to dust and water. The Sigma zooms quite a bit towards the wide end, though it is a single cam mechanism (one barrel) and made from metal with a nice textured finish (though not as nice as the Tokina's).

 The Sigma 24-70 f/2.8 EX DG for Nikon F

The Sigma 24-70 f/2.8 EX DG for Nikon F

 And Tokina 28-80mm f/2.8 ATX Pro for Nikon F

And Tokina 28-80mm f/2.8 ATX Pro for Nikon F

I recently acquired the Tokina 28-80mm f/2.8 ATX Pro and after taking that lens out on a photo shoot, I did quick comparison in my office to see which lens was the better performer in a more controlled setting. In these shots, I used the D800 body on a tripod, fired on a 2 second timer and focused with live view contrast detection to ensure phase detect micro errors would not play a role in the results. Let's get into the samples.

↑ In the above gallery, the images are arranged left to right with the Sigma set to 28mm f/2.8 and f/5.6, then Tokina at 28mm f/2.8 and f/5.6. The Tokina has noticeably more barrel distortion on full frame than the Sigma does even at 24mm. It also has stronger vignetting, and a cooler color rendition (these images are all set to the same color temperature).

↑ Similarly to the first gallery, this one is arranged left to right starting with the Sigma at 70mm f/2.8 and f/5.6, then the Tokina at 70mm f/2.8 and f/5.6. The Tokina has an extra 10mm to zoom to as well here, though the FOV is similar enough that it would be easy to use either lens in the same situations. Both lenses exhibit a minor amount of pincushion distortion, though it is weak enough to really only be visible on critical subjects with straight lines near the frame edge. The Sigma appears to have slightly stronger distortion, but the Tokina also isn't at the extreme end of its range. The Tokina has some noticeable softness around the high contrast "Marshall" logo in the f/2.8 image when compared to the Sigma.

Sigma at 28mm f/2.8 1:1 center crop

Tokina at 28mm f/2.8 1:1 center crop

Sigma at 28mm f/5.6 1:1 center crop

Tokina at 28mm f/5.6 1:1 center crop

Looking at these 1:1 samples from the center, the Sigma definitely looks weaker than the Tokina. At f/2.8, the Tokina has much better contrast, and the brushed metal panel of the amplifier is much more visible. At f/5.6, the gap closes but the Tokina is still ahead, both in sharpness and contrast. However, the Sigma does have slightly better performance at the edges of the frame at smaller apertures (not pictured for the sake of space). Now lets look at the telephoto end of these two zooms:

Sigma at 70mm f/2.8 1:1 center crop

Tokina at 70mm f/2.8 1:1 center crop

Sigma at 70mm f/5.6 1:1 center crop

Tokina at 70mm f/5.6 1:1 center crop

Here, the performance flips in favor of the Sigma. Right from f/2.8, the Sigma is sharper and has more contrast than the Tokina, which has a dreamy haze effect. Closed down to f/5.6, the gap closes but the Sigma is still ahead. The Sigma's performance at the edge is also hard to ignore here, and it's so much different than the Tokina that I've included a sample of that as well below:

Sigma at 70mm f/2.8 1:1 Left Edge

Tokina at 70mm f/2.8 1:1 Left Edge

For my use, I more frequently require wide open sharpness at the long end of the zoom range for portraiture. The Sigma's performance stopped down at the wide end is good enough for me, and the lack of distortion makes it easy to work with in post processing. While I'm sure the Nikon 24-70mm f/2.8 (non VR) offers the best of both of these lenses as far as performance, it still runs double to triple the price of these lenses... so I'll be happy with the Sigma for the time being. If you're deciding between these, you'll have to identify where you need the stronger performance. The Tokina offers good sharpness right from f/2.8 at wider focal lengths but at the cost of noticeable barrel distortion. It is also very well built, and really feels like a premium item. The Sigma has better edge to edge performance, stronger telephoto sharpness, and less distortion coupled with a wider angle of view (at 24mm). It is also nicely built, just not as tank-like as the Tokina. Price is also a factor, with the Sigma hovering around $400 while the Tokina routinely goes for less than $250. With the remaining $150, you could purchase a lens such as the Nikon 85mm f/2.0 AI/S, which outperforms both of these lenses at the telephoto end with no distortion and a wider aperture, at the cost of requiring you to manually focus. I also own that lens, and it is truly exceptional for portraits.